How ‘The Flight Attendant’ Recreated The Globe-Trotter For The COVID Era
When The stewardess premiered on HBO Max in November, a world locked in by the coronavirus pandemic has been offered a chance to escape, both in the show’s winding mystery and in the distant towns where Kaley Cuoco’s Cassie tries to escape. understand how his one-night stand in Bangkok ended in murder.
The Thai capital returns throughout the show as Cassie returns to her mind at the hotel suite where her Alex (Michiel Huisman) adventure ended. The piece, built on a soundstage in New York City, changes shape in a wide array of fantastic sequences, with design elements heavily inspired by true Thai interiors. The rest of the time, however, Bangkok plays on its own. “We thought it was important to transport the audience and transport Cassie to places she really couldn’t live in New York City,” says production designer Sara K White.
While walking with Alex through a Bangkok night market or down the Chao Phraya River with the Wat Arun temple in the background, Cassie is presented to audiences as such a troubled high-flying glamor girl – an illusion that the series will eventually bring about. Earth. “She comes from a place that doesn’t have a lot of privileges, and she kind of squeezed into privileges because of her career,” White adds. “Going to these main places was really important to us. “
Outdoor shooting in Bangkok and Rome, The stewardess managed to wrap up its international shoots before the pandemic shut everything down. But even back in New York City, White and his team were able to find locations that put an evocative cosmopolitan shine on the production.
The Vessel, Thomas Heatherwick’s massive architectural work in Hudson Yards, dominates a scene outside Alex’s apartment, which includes a sharp critique of the building’s doorman. “This comes from [series creator] Steve Yockey’s own experiences with, uh, opinions around the ship, ”White said.
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