“The times, in my opinion, demand this”

This time he stepped onto the podium alone and it could not be otherwise. There is everything Giorgio Armani In this new Spring / Summer 2022 Women’s Collection. It is Armani’s thought that becomes tangible, the apotheosis of the designer’s stylistic coherence, an exercise in style that shapes the fabric of emotion, recreating the suggestions emanating from the waves of the sea in the background. These are garments of purer beauty, refined garments of metaphysical harmony that elevate the observer to another ethereal celestial dimension, making him Live the real experience of this endless leopard feeling that inspired the creator. Thanks to the intimate and warm atmosphere of the historic theater in Via Borgonuovo, pity is so tangible, that King George’s eyes sparkle with passion and satisfaction to see this originality pay offBeing completely honest and being self-centered isn’t just rewarding, it’s the only way not to break the rock of time that you are, in fact, overcoming. And so, for the first time, he allows himself a habit, He showers in the crowd and goes out to applaud the crowd outside From his building in Via Borgonuovo 21, he fills with passion and support, the life force that faces these days.

Today we want to be cute, to be in love and for someone to fall in love with us – Said Giorgio Armani – We want to restore the relationships lost as the world is heading towards a dubious situation. We keep what we have with our teeth, we have the earth: we try to save it and ourselves. The historic theater in Via Borgonovo was the backdrop for the fashion shows that many remember and represent for me Founding moment of Jamali. The decision to reappear in this space is linked to the desire to restore a more intimate and intimate dimension with the Giorgio Armani collection. It is a return to the origins without any nostalgia. The only feeling of nostalgia is that summer has just ended: The show begins with a film of waves, slow waves, sliding lazily on the shore, dazzling the viewer with the iridescent reflections that the rays of the sun weave on the surface of the sea. At the beginning, the sky is clear and clear, at the end of the day. In the early morning, the nighttime haze fades and matches blue and white with pops of bright red as you descend the platform. The jackets are lightly structured and the soft pants move to the beat of the music. “I want to disturb you … resting on the sea wave, the sea …‘, Nico Fidenco sings in the background, the first track of the soundtrack which refers to the classics of the Italian song about the sea and the summer. “I love these pieces,” says Armani. Savior of the country. They remind me of 40 years ago when I started and these songs accompany my work: This combination of things convinced me to step up a bit.

And so the clothes flow one by one and coincide with the development of the colors of the sky and the sea: from day slowly pass to the warmth of sunset, then night. And this sea has no sea, it’s the mediterraneanWhat sings Eugenio Pinato, crAbout the peoples and influences we find in arabesque forms of wide trousers like skirts and long tunics; in sizes reduced to the bottom and serving as a counterpoint to the small beaded tops; In crochet, scarves and hats that always keep your head covered. And again, in flat shoes, open at the toes or to tie around the foot. Movement becomes imperceptible in the cascade of dusty and airy grays, the pale blues and greens of basic jackets and long, fluffy skirts. The color explodes in a kaleidoscope of gypsy signs made of juxtaposition of red and purple, spontaneous intertwining games. And when evening comes, a riot of shiny and light clothes, That barely touches the body and in which the veil of layers of tulle creates amazing melting colors, with crystals and sequins playing with the light like rays of sun on the waves of the sea. It’s a wardrobe who looks straight From Scheherazade’s wardrobearab princess Thousand and one Night.

“Mixing suggestions has always been part of my language: I pick up marks and colors everywhere, then I work on subtraction, purification, while preserving their echo – concludes the designer -. This collection is a crossbreeding: a mixture of influences and travel memories. The times, in my opinion, demand thisThis is King George’s credo and “Shipwreck” is “gentle in this sea…”.

Comments are closed.